“快！”狐狸爸爸说，“躲起来！”他们跳上架子，蹲在一排大酒罐后面。一个高大的女人走下地窖——就在他们面前停下。她近得狐狸爸爸能听见她的呼吸；透过罐子缝，他看见她手里拿着一根大擀面杖。“他昨天喝了四罐。”“他说狐狸今天早上肯定会跑——它不可能没吃没喝再在洞里熬一天。”女人取走了两罐苹果酒，说：“这儿又有老鼠了。毒死它们！”门砰地关上。“快！每人拿一罐，跑！”他们抱着罐子冲过地窖——身后是老鼠的尖叫：“小偷！强盗！土匪！贼！”
“Quick!” says Mr Fox. “Hide!” The three animals jump on to a shelf and crouch behind a row of big cider jars. A huge woman comes down into the cellar — and stops right in front of them. She is so close, Mr Fox can hear the sound of her breathing; through the crack between two bottles, he sees she carries a big rolling-pin in one hand. “He drank four yesterday, Mrs Bean.” “He says the fox is bound to make a run for it this morning — it can’t stay down that hole another day without food.” The woman takes two jars. “There’s rats down here again. Then poison them, poison them!” The door slams. “Quick! Grab a jar each and run for it!” They dash across the cellar — and Rat shrieks behind them: “Thieves! Robbers! Bandits! Burglars!” Now read “The Woman” and hold your breath with the animals.“快！”狐狸爸爸说。“躲起来！”三只动物跳上架子，蹲在一排大酒罐后面。一个高大的女人走下地窖——正好停在他们面前。她近得狐狸爸爸能听见她的呼吸；透过两个瓶子之间的缝，他看见她一只手拿着一根大擀面杖。“他昨天喝了四罐，贝恩太太。”“他说狐狸今天早上肯定会跑——它不可能没吃没喝再在洞里熬一天。”女人拿走了两罐。“这儿又有老鼠了。那就毒死它们，毒死它们！”门砰地关上。“快！每人拿一罐，跑！”他们冲过地窖——身后是老鼠的尖叫：“小偷！强盗！土匪！贼！”现在来读《那个女人》，和动物们一起屏住呼吸。
Dahl brings the danger closer than ever: a woman stands right in front of the animals, close enough to breathe on them. He makes the enemy ordinary — a farm woman fetching cider, who talks about tails and poison as if they were shopping lists. And he gives the animals their victory: two jars in two hands, a slam of the door, and a run for home. Dahl’s rule of suspense: the closer the danger, the sweeter the escape.达尔把危险写得前所未有地近：一个女人就站在动物们面前，近得能朝他们呼气。他把敌人写得平常——一个来拿苹果酒的农妇，谈起尾巴和毒药就像在列购物清单。而他给了动物们胜利：两手各抱一罐，门砰地关上，冲向回家。达尔的悬念法则：危险越近，逃脱越甜。
In Chapter 15, Mr Fox examined a brick wall and pulled out one old, crumbly brick — and out popped Rat! “This is my private pitch!” shrieked Rat. Mr Fox flashed a brilliant smile: “If you don’t hop it quickly I shall eat-you-up-in-one-gulp!” Rat disappeared, and the three crept into a vast, damp, gloomy cellar — full of shelves of big glass jars. “It’s cider!” cried the Smallest Fox. Badger drank deep: “It’s . . . it’s like melted gold!” But just as the feast seemed won, a woman’s voice called out upstairs — and someone was starting to come down the steps.第十五章里，狐狸爸爸检查一堵砖墙，抽出一块又老又脆的砖——老鼠探出了头！“这是我的私人地盘！”老鼠尖叫道。狐狸爸爸闪出一个灿烂的笑：“你再不快滚，我就一口把你吞了！”老鼠不见了，三只动物钻进又大又潮又暗的地窖——满架子的大玻璃罐。“是苹果酒！”最小的小狐狸喊道。獾先生痛饮一口：“它……它像熔化的金子！”可正当盛宴看似到手时，楼上传来女人的声音——有人正开始走下台阶。
The animals are hiding behind a row of cider jars. A huge woman comes down into the cellar with a rolling-pin in one hand, and stops right in front of their shelf. What will happen?动物们躲在一排苹果酒罐后面。一个高大的女人手里拿着擀面杖走下地窖，正好停在他们的架子前。会发生什么？
Pick one to remember your prediction — come back after reading to check!
点一个选项记住你的预测，读完全章后回来揭晓答案。
Two more questions after reading · 还有两个小问题：
1. Where did the animals hide in the cellar?
动物们躲在地窖的哪里？
2. What did the woman carry in one hand?
女人一只手拿着什么？
跟着原文读一遍。橙色单词先别查——根据上下文猜一猜。点击任意单词弹出词典卡片（中英释义 · 发音 · 例句）；点段落开头的 ▶ 听朗读（英式男声）。
Quick! said Mr Fox. Hide! He and Badger and the Smallest Fox jumped up on to a shelf and crouched behind a row of big cider jars. Peering around the jars, they saw a huge woman coming down into the cellar. At the foot of the steps, the woman paused, looking to right and left. Then she turned and headed straight for the place where Mr Fox and Badger and the Smallest Fox were hiding. She stopped right in front of them. The only thing between her and them was a row of cider jars. She was so close, Mr Fox could hear the sound of her breathing. Peeping through the crack between two bottles, he noticed that she carried a big rolling-pin in one hand.
“How many will he want this time, Mrs Bean?” the woman shouted. And from the top of the steps the other voice called back, “Bring up two or three jars.” “He drank four yesterday, Mrs Bean.” “Yes, but he won’t want that many today because he’s not going to be up there more than a few hours longer. He says the fox is bound to make a run for it this morning. It can’t possibly stay down that hole another day without food.”
The woman in the cellar reached out and lifted a jar of cider from the shelf. The jar she took was next but one to the jar behind which Mr Fox was crouching.
“I’ll be glad when the rotten brute is killed and strung up on the front porch,” she called out. “And by the way, Mrs Bean, your husband promised I could have the tail as a souvenir.” “The tail’s been all shot to pieces,” said the voice from upstairs. “Didn’t you know that?” “You mean it’s ruined?” “Of course it’s ruined. They shot the tail but missed the fox.” “Oh heck!” said the big woman. “I did so want that tail!”
“You can have the head instead, Mabel. You can get it stuffed and hang it on your bedroom wall. Hurry up now with that cider!” “Yes, Ma’am, I’m coming,” said the big woman, and she took a second jar from the shelf.
If she takes one more, she’ll see us, thought Mr Fox. He could feel the Smallest Fox’s body pressed tightly against his own, quivering with excitement. “Will two be enough, Mrs Bean, or shall I take three?” “My goodness, Mabel, I don’t care so long as you get a move on!” “Then two it is,” said the huge woman, speaking to herself now. “He drinks too much anyway.”
Carrying a jar in each hand and with the rolling-pin tucked under one arm, she walked away across the cellar. At the foot of the steps she paused and looked around, sniffing the air. “There’s rats down here again, Mrs Bean. I can smell ‘em.” “Then poison them, woman, poison them! You know where the poison’s kept.” “Yes, Ma’am,” Mabel said. She climbed slowly out of sight up the steps. The door slammed.
Quick! said Mr Fox. Grab a jar each and run for it! Rat stood on his high shelf and shrieked. “What did I tell you! You nearly got nabbed, didn’t you? You nearly gave the game away! You keep out of here from now on! I don’t want you around! This is my place!” “You,” said Mr Fox, “are going to be poisoned.” “Poppycock!” said Rat. “I sit up here and watch her putting the stuff down. She’ll never get me.” Mr Fox and Badger and the Smallest Fox ran across the cellar clutching a gallon jar each. “Goodbye, Rat!” they called out as they disappeared through the hole in the wall. “Thanks for the lovely cider!” “Thieves!” shrieked Rat. “Robbers! Bandits! Burglars!”
这一章：狐狸爸爸拆开地下一堵砖墙，老鼠探出头尖叫："这是我的私人地盘！"狐狸爸爸咧嘴一笑："再不滚，我就一口把你吞了！"他们钻进墙洞——一个又大又潮又暗的地窖，满架子的大玻璃罐："是苹果酒！""就像熔化的金子！"正当他们喝得痛快，楼上传来女人的声音——有人正走下台阶！
描写分析仅限本章内容。这一章写「近在咫尺的躲藏与逃脱」：记叙文写「性格」，用语言（喊话 vs 低语）写亲疏、用动作（伸手取酒/跳上架子）写节奏、用神态（激动发抖）写紧张、用心理（再拿一罐就被看见）写恐惧——每一处描写，都在塑造三个角色：躲藏的队长、取酒的农妇、尖叫的守卫。
“I’ll be glad when the rotten brute is killed and strung up on the front porch.” ... “I did so want that tail!”
The woman talks about the fox’s death the way she talks about the cider: calmly, in passing, as if choosing a jar. Her disappointment is not for the fox but for the lost souvenir. The casual cruelty in an ordinary shopping sentence tells us exactly who the enemy is.
女人谈狐狸的死，就像谈苹果酒一样：平静、顺带、像挑一罐酒。她失望的不是狐狸，而是失去的纪念品。一句平常购物话里的随意残忍，正告诉我们敌人是谁。
If she takes one more, she’ll see us, thought Mr Fox.
One sentence, one thought, one rule: one more jar means being seen. Dahl steps into Mr Fox’s mind at the exact moment of danger, and the thought is a count. Fear has never been measured so simply — and so sharply.
一句话、一个念头、一条规则：再拿一罐就会被看见。达尔在危险最确切的那一刻走进狐狸爸爸的脑子，而那个念头是一道数。恐惧从没被算得这么简单——又这么尖锐。
“There’s rats down here again, Mrs Bean. I can smell ‘em.”
She means the real rats; the reader thinks of the animals behind the jars. “I can smell ‘em” is one breath away from “I can smell you.” The word “rats” covers them — and almost gives them away at the same time. Dialogue does double duty.
她说的是真老鼠；读者想到的是罐后的动物。“我闻得到它们”离“我闻得到你们”只差一口气。“老鼠”这个词掩护了他们——又差点出卖他们。对话一箭双雕。
He could feel the Smallest Fox’s body pressed tightly against his own, quivering with excitement.
No face is shown, no word is said — yet the fear is visible in a small body pressed tight and shaking. Pressed tightly, quivering: the smallest fox says everything with his body. Manner needs no mouth.
没有露脸，没有说话——恐惧却在一个紧紧贴住、微微发抖的小身子里看得见。紧紧贴着、发抖：最小的小狐狸用身体说了一切。神态不需要嘴巴。
Carrying a jar in each hand and with the rolling-pin tucked under one arm, she walked away across the cellar.
A jar, a jar, a rolling-pin — three things in two hands and one arm. The woman is loaded up and walking away: danger is physically full. The loaded arms are the proof that the danger is leaving — and the reader can finally breathe.
一罐、一罐、一根擀面杖——两只手一只胳膊装了三样东西。女人满载离开：危险被装满了。满载的双臂正是危险离场的证据——读者终于能松一口气。
The door slammed.
Three words, one sound, and the whole danger ends. A slammed door is louder than a scream: it shuts the world out and lets the animals move again. Dahl writes the escape as a noise — the silence after it is the sweetest sound in the chapter.
三个词、一声响，整场危险结束。砰的一声门响比尖叫更响：它把世界关在外面，让动物们重新能动。达尔把逃脱写成一声响——之后的安静是全章最甜的声音。
示意图：同一座地窖，两种声音——女人忙着取酒、嗅鼠、关门，声音填满整个空间；动物们一动不动，一声不出。喧闹的是危险，安静的是猎物——达尔用一页对话与一句静止，写出了谁在明处、谁在暗处。
这一章是「一次近在咫尺的躲藏与逃脱」的动作链条：躲藏 → 隔空对话 → 伸手取酒 → 门关 → 抢罐逃跑。节奏从慌乱到屏息，从屏息到放轻，从放轻到狂奔——危险越近，逃脱越甜。
“Quick!” said Mr Fox. “Hide!”
「快！」狐狸爸爸说。「躲起来！」
How it expands · 怎么展开：用「短句快切」展开：三个词、两个感叹号，不解释、不铺垫，直接把人扔进危险——读者和动物们一起屏住呼吸。
The jar she took was next but one to the jar behind which Mr Fox was crouching.
「她拿的那罐，正紧挨着狐狸爸爸藏身的那罐（隔一罐）。」
How it expands · 怎么展开：用「细节计量」展开：危险按罐子数——next but one，只隔一罐；behind which 把读者的视线锁在那排罐子上，一罐一罐地紧张。
“There’s rats down here again, Mrs Bean. I can smell ‘em.”
「这儿又有老鼠了，贝恩太太。我闻得到。」
How it expands · 怎么展开：用「误读」展开：她说的是真老鼠，读者想的是动物——危险被“rats”这个词擦身而过；然后门砰地关上，悬念落定。
“Grab a jar each and run for it!” ... “Thieves! Robbers! Bandits! Burglars!”
「每人抓一罐，跑！」……「小偷！强盗！土匪！贼！」
How it expands · 怎么展开：用「收尾快节奏」展开：命令 + 奔跑 + 四连骂三拍收束——逃跑有多快，老鼠的骂就有多热闹，全章在欢腾里落幕。
这是「躲藏与逃脱」结构，复述时沿着危险的路走：躲藏 → 女人进窖 → 只隔一罐 → 对话离开 → 门关 → 抢罐逃跑。
小提示：与「思维导图」搭配用——把导图的枝条按 躲藏 → 女人进窖 → 只隔一罐 → 对话离开 → 门关 → 抢罐逃跑 排好，先看导图复述一遍，再合上导图凭记忆复述一遍。
把第十六章的信息装进这张「思维导图」，再沿着复述支架讲一遍——你也能当小老师！
把句子补充完整，就完成了第十六章的复述。
复述加分：用 First / Then / Next / Then / Next / Then / Then / Finally 把八句话串起来；讲到 “I did so want that tail!” 学女人遗憾的口气，讲到 “Grab a jar each and run for it!” 加快语速读出逃跑的紧迫——危险近得只隔一罐，逃脱甜得像满罐苹果酒！
8 张图卡按情节顺序排好。看着图片，用英文把第十六章讲出来——点击图片可以放大，每张图点开都有一句「提示句」帮你起头。
提示：图卡可左右滑动查看全部 8 张；点「看看提示句」展开英文句子；点图片放大全屏。
1 · First 躲藏→ 2 · Then 女人进窖→ 3 · Next 只隔一罐→ 4 · Also 尾巴之谈→ 5 · Then 拿头代替→ 6 · Next 再拿一罐→ 7 · Also 毒老鼠→ 8 · Finally 抢罐逃跑小挑战：先看着图讲一遍，再合上图卡，只凭记忆讲一遍——能做到，第十六章就真正属于你了！
这一章，Dahl 不写「惊险逃脱」，写「一场只隔一排罐子的冒险」：一句快躲起来的命令、一只伸向架子的手、一次近得能听见的呼吸、一声砰然关上的门、一阵四连骂的告别。秘密武器是这八招：
全章用同一个声音套住：开头「快！躲起来！」，结尾「每人抓一罐，跑！」——同样的短句、同样的感叹号。命令从躲藏走到奔跑，首尾相接，读者跟着绕了一个完整的圈：从屏息开始，到奔跑结束。
开头说「该起床了」，结尾说「该睡觉了」，一天被同一个声音套住——中文叫「首尾呼应」；首尾照应，结构完整。
伸出、拿起——两个再平常不过的动作。女人不是恶人，她只是来取酒；正因为她如此平常，危险才更真实：灾难不咆哮，它只是伸手拿一罐酒。
不评价、不夸张，只写「伸手、拿起」——中文叫「白描」；越平常的动作，越是暗藏惊险。
一句内心独白，一条生死规则：再拿一罐＝被发现。达尔在最危险的时刻走进狐狸爸爸的心里，把恐惧算成罐数——越具体，越紧张；越安静，越可怕。
「如果……就……」把心悬起来——中文叫「心理独白」；不说一个「怕」字，怕已经藏在数字里。
女人谈杀狐狸，像谈买菜：杀死、挂起、留个纪念品。越平常的口气，越见残忍——达尔让敌人把恶话说得像购物清单，读者一边发冷，一边想笑。
越轻描淡写越吓人——中文叫「轻描淡写」；「只是扔了而已」，平静里全是冷酷。
命令说两遍，中间夹着一个「女人」——急切的重复加称呼，写出主人的不耐烦：去做，女人，去做！重复让命令又响又短，读者的耳朵被钉在「毒」字上。
同一个词说两遍，语气翻倍——中文叫「反复」；「去去去」「快快快」，催促感扑面而来。
小偷、强盗、土匪、贼——四个词一字排开，一个比一个响。老鼠不敢下架，只能把愤怒全堆在骂里；排比让骂声有了台阶，也把全章收在一个热闹的高音上。
四个同类词排成一行，气势步步上升——中文叫「排比」；「高兴！激动！自由！鲜活！」，情绪一层比一层高。
一边是女人取酒、嗅鼠、关门，声音填满地窖；一边是动物一动不动，一声不出。喧闹的是危险，安静的是猎物——不写一句评论，强弱已经写进句子里。
动与静并排，紧张感自然升起——中文叫「对比」；「满堂喧闹，唯我独静」，不用解释，气氛已到。
危险按罐子数：next but one，只隔一罐。达尔用精确的「货架坐标」把悬念定量——读者跟着一罐一罐地数，越数越近，越近越不敢呼吸。
「只隔一罐」——中文叫「细节聚焦」；一个准确的距离，把紧张死死钉在数字上。
中西对照小发现：英文 the quick command 的首尾呼应就是中文「首尾呼应」，the one small reach 就是「白描」，the one more jar 就是「心理独白」，the shopping-list tone 就是「轻描淡写」，poison them twice 就是「反复」，four shouts 就是「排比」，the loud fetch vs the silent freeze 就是「对比」，counting in jars 就是「细节聚焦」。给小朋友讲的时候，中英文术语可以互相借用，哪边熟讲哪边。
三个难度层级：先找细节，再推原因，最后谈看法。点「提示」给一点帮助，点「答案」对照想法——每道题都有英文参考答案和中文释义。
1. Where did the three animals hide? 三只动物躲在哪里？
2. What did the huge woman carry in one hand? 高大的女人一只手拿着什么？
3. Which jar did the woman take first? 女人先拿了哪一罐？
4. Why could Mr Fox hear the woman’s breathing? 狐狸爸爸为什么能听见女人的呼吸？
5. Why did the woman say “There’s rats down here again”? 女人为什么说「这儿又有老鼠了」？
6. Why did Mr Fox say “You are going to be poisoned”? 狐狸爸爸为什么对老鼠说「你就要被毒死了」？
7. Do you think the woman was cruel? Why? 你觉得这个女人残忍吗？为什么？
8. Why do the animals risk so much for the cider? 动物们为什么为苹果酒冒这么大险？
9. What do you think the animals will do with the cider? 你觉得动物们会拿这些苹果酒做什么？
Chapter 16 is about danger measured in jars. The animals hide behind one row of jars; the woman stops one jar away; one more reach would mean being seen. The whole chapter is a held breath: close enough to hear her breathing, clever enough to stay perfectly still, fast enough to grab a jar and run. The sweeter the feast, the closer the danger — and this time the prize is two jars of Bean’s own cider.
第十六章写的是「用罐子计量的危险」。动物们躲在一排酒罐后；女人停在隔一罐的地方；再伸一次手就会被看见。全章是一口屏住的呼吸：近得能听见她的呼吸，聪明得一动不动，快得抓一罐就跑。盛宴越甜，危险越近——而这一次的奖品，是两罐比恩家自己的苹果酒。
每张词卡正面是原文句子——先根据上下文猜意思，再点击翻面验证。学完 12 个核心词，别忘了下面的「拓展好词」。
They crouched behind a row of big cider jars.
猜一猜：蹲伏 / 跳舞 / 逃跑？
A huge woman came down into the cellar.
猜一猜：巨大的 / 苗条的 / 开心的？
At the foot of the steps the woman paused.
猜一猜：停顿 / 奔跑 / 唱歌？
Mr Fox could hear the sound of her breathing.
猜一猜：呼吸 / 脚步 / 心跳？
He noticed she carried a big rolling-pin.
猜一猜：注意到 / 忘记 / 假装？
I could have the tail as a souvenir.
猜一猜：纪念品 / 食物 / 工具？
“You mean it’s ruined?”
猜一猜：毁了的 / 完好的 / 崭新的？
“Then poison them, woman, poison them!”
猜一猜：毒死 / 喂饱 / 赶走？
I watch her putting the stuff down.
猜一猜：东西 / 老鼠 / 苹果？
They dashed across the cellar.
猜一猜：猛冲 / 漫步 / 跳跃？
“Thieves!” shrieked Rat.
猜一猜：尖叫 / 低语 / 大笑？
“Thieves! Robbers! Bandits! Burglars!”
猜一猜：小偷 / 英雄 / 农夫？
| Word | Meaning 释义 | From the text 原文 |
|---|---|---|
| rolling-pin | n. 擀面杖 | “she carried a big rolling-pin” |
| gallon | n. 加仑（大罐） | “clutching a gallon jar each” |
| cellar | n. 地窖；酒窖 | “came down into the cellar” |
| slam | v. 砰地关上 | “The door slammed.” |
| porch | n. 门廊 | “strung up on the front porch” |
| heck | int. 哎呀（表懊恼） | “Oh heck!” said the big woman. |
| poppycock | n. 胡扯；废话 | “Poppycock!” said Rat. |
| nab | v. 逮住；抓住 | “You nearly got nabbed!” |
本章的 4 个语法点都藏在课文句子里：每个点按「规则 → 原文例句 → 即时练习」三步走，最后做综合小测检验。先看情态动词 will 表预测，再学现在分词作伴随状语、一般过去时 vs 过去进行时，最后看介词的准确性。
规则：will + 动词原形 表示对未来的预测——说话人认为这件事一定会发生。楼上的声音说 The fox is bound to make a run for it（肯定会跑），狐狸爸爸在心里算 she’ll see us（她就会看见我们）。预测用的 will，比 is going to 更肯定、更有判断口气。
P2The fox is bound to make a run for it this morning. ... He won’t want that many today.
P6If she takes one more, she’ll see us, thought Mr Fox.
will + 动词原形 = 预测/判断：他肯定要跑（won’t = will not 不会）；她就会看见我们。will 表"按道理一定会发生"。
1. will（The fox will be back. 狐狸肯定会回来。——will + 原形表预测。）
2. will（She will see them. 她一开门就会看见他们。——if + will 表必然结果。）
规则：同一个主语同时做两个动作时，主动词用一般式，v-ing 表示伴随的动作。Peeping through the crack（透过罐缝看）是伴随，noticed（注意到）是主动作；Carrying a jar in each hand（一手一罐）是伴随，walked away（走开）是主动作。v-ing 把两个动作装进一个句子。
P1Peeping through the crack between two bottles, he noticed she carried a big rolling-pin.
P7Carrying a jar in each hand, she walked away across the cellar.
主语 + 主动词 + v-ing 伴随动作 = 一边……一边……：一边透过罐缝看，一边注意到；一手一罐地走开。v-ing 说明"做着主动作时的样子"。
1. Sniffing（嗅着空气，女人寻找老鼠的气味。——嗅 = 伴随，寻找 = 主动作。）
2. carrying（她走开了，手里拿着两罐。——拿着 = 伴随动作。）
规则：一般过去时表示已完成的动作（paused 停住、slammed 砰地关上、dashed 冲过），过去进行时 was/were + v-ing 表示正在进行的动作。结尾处：女人 was climbing up the steps（正爬着台阶），动物们 dashed across the cellar（冲过地窖）——进行时是背景，过去时是事件。
P7She climbed slowly out of sight up the steps. The door slammed.
P8They dashed across the cellar clutching a gallon jar each.
一般过去时 = 已完成的动作（climbed 爬了上去、slammed 关上了）；过去进行时 was/were + v-ing = 正在进行的动作。进行时做背景，过去时做事件。
1. was climbing（门关上时女人正爬着台阶。——进行时 + 过去时搭配。）
2. dashed（动物们冲过地窖，消失了。——冲完 + 消失，两个完成动作。）
规则：动作和位置靠介词精确表达：behind a row of jars（在一排罐子后）、through the crack（透过罐缝）、across the cellar（横穿地窖）、out of sight up the steps（爬出视线，登上台阶）。每个介词都是一幅小地图：读者闭着眼也知道谁在哪里、往哪移动。
P1They crouched behind a row of big cider jars. ... Peeping through the crack between two bottles ...
P8They dashed across the cellar. ... they disappeared through the hole in the wall.
介词 = 位置与方向的小地图：behind 在……后；through 穿过；between 在……之间；across 横过；in 在……里。选对介词，动作就清楚。
1. behind（猫躲在沙发后面。——behind = 在……后。）
2. through（他透过窗户看。——through = 穿过/透过。）
语法小贴士：四个点合起来看：will 管「怎么预测将要发生的事」，v-ing 伴随状语管「怎么把两个动作装进一个句子」，过去时/过去进行时管「怎么区别完成与进行」，介词管「怎么把位置写清楚」。读这一章时留意：女人的 paused 和动物们的 dashed 是完成动作，peeping 和 carrying 是伴随的进行，behind / through / across 把每个躲藏和奔跑都画成了地图——语法点全都活在故事里。
5 道选择题 + 1 个配对游戏。先做选择题，再做配对，看看你能得几分！
1Where did the animals hide?
2What did the huge woman carry in one hand?
3Which jar did she take first?
4Why could Mr Fox hear her breathing?
5What did Rat shriek at the end?
先点左边的角色，再点右边他说的话。
还有 3 对要配对。
这一页是你的自学地图：学习目标、学习步骤和全部答案都在这里，跟着走就能通关第十六章。